The Dio Years and Heaven and Hell (2006-present)

Monday, April 19, 2010 comments
The Dio Years and Heaven and Hell (2006-present)While Ozzy Osbourne was working on new solo album material in 2006, Rhino Records released The Dio Years, a compilation of songs culled from the four Black Sabbath releases featuring Ronnie James Dio. For the release, Iommi, Butler, Dio and Appice reunited to write and record three new songs. The Dio Years was released on 3 April 2007, reaching number 54 on the Billboard 200, while the single "The Devil Cried" reached number 37 on the Mainstream Rock Tracks chart. Pleased with the results, Iommi and Dio decided to reunite the Heaven and Hell era lineup for a world tour. While the lineup of Osbourne, Butler, Iommi and Ward were still officially called Black Sabbath, the new lineup opted to call themselves Heaven and Hell, after the album of the same name, to avoid confusion. Drummer Bill Ward was initially set to participate, but dropped out before the tour began due to musical differences with "a couple of the bandmembers". He was replaced by former drummer Vinny Appice, effectively reuniting the lineup that had featured on the Mob Rules and Dehumanizer albums.

Heaven and Hell toured the US with openers Megadeth and Machine Head, and recorded a live album and DVD in New York on 30 March 2007, entitled Live from Radio City Music Hall. In November 2007, Dio confirmed that the band have plans to record a new studio album, which was recorded in the following year. In April 2008 the band announced the upcoming release of a new box set and their participation in The Metal Masters Tour, alongside Judas Priest, Motörhead and Testament. The box set, The Rules of Hell, featuring remastered versions of all the Dio fronted Black Sabbath albums, was supported by the Metal Masters Tour. In 2009, the band announced the name of their debut studio album, The Devil You Know, released on April 28.

On May 26, 2009 Osbourne filed suit in a federal court in New York against Iommi alleging that he illegally claimed the band name. Iommi noted that he has been the only band member for the full forty one years of the band, and that his bandmates relinquished their rights to the name in the 1980s, therefore claiming more rights to the name of the band. Although, in the suit, Osbourne is seeking 50% ownership of the trademark, he has said that he hopes the proceedings will lead to equal ownership among the four original members.

In recent interviews while promoting his biography "I Am Ozzy", Osbourne has stated that although he is not ruling out a reunion, he is doubtful there will be a reunion with all original members. Ozzy states "I'm not gonna say I've written it (reunion) out forever, but right now I don't think there is any chance. But who knows what the future holds for me? If it's my destiny, fine." Osbourne compares it going back to an ex-girlfriend, "I had girlfriends when I was younger and I would go, 'Oh, I would really like to go back with Shirley,' and then you do and you go to yourself, 'What the fuck was I thinking?'

In March 2010, Black Sabbath announced that along with Metallica they would be releasing a limited edition single together to celebrate Record Store Day. It will be released on the 17th April 2010.

Osbourne Reunion (1997–2006)

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In the summer of 1997, Tony Iommi, Geezer Butler, and Ozzy Osbourne officially reunited to co-headline the Ozzfest festival tour along side Osbourne's solo band. The lineup featured Osbourne's drummer Mike Bordin filling in for Bill Ward, who was unable to participate because of previous commitments with his solo project, The Bill Ward Band. In December 1997, the group was joined by Ward, marking the first reunion of the original four members since Osbourne's 1992 "retirement show". The original lineup recorded two shows at the Birmingham NEC, which were released as the double live album Reunion on 20 October 1998. Reunion reached number eleven on the Billboard 200, and went platinum in the US. The album spawned the single "Iron Man", which won Black Sabbath its first Grammy award in 2000 for Best Metal Performance, 30 years after the song was originally released. Reunion also featured two new studio tracks, "Psycho Man" and "Selling My Soul", both of which cracked the top 20 on the Billboard Mainstream Rock Tracks chart.

Shortly before the band embarked on a European tour in the summer of 1998, drummer Bill Ward suffered a heart attack and was temporarily replaced by former drummer Vinny Appice. Ward returned in time for the US tour with openers Pantera, which began in January 1999 and continued through the summer, headlining the annual Ozzfest tour. Following the Ozzfest appearances, the band was put on hiatus while members worked on solo material. Tony Iommi released his first official solo album, Iommi, in 2000, while Osbourne continued work on his next solo release, Down to Earth.

Black Sabbath returned to the studio to work on new material with all four original members and producer Rick Rubin in the spring of 2001, but the sessions were halted when Osbourne was called away to finish tracks for his solo album in the summer of 2001. "It just came to an end", Iommi said. "We didn't go any further, and it's a shame because [the songs] were really good". Iommi commented on the difficulty getting all of the band members together to work on material: It's quite different recording now. We've all done so much in between. In [the early] days there was no mobile phone ringing every five seconds. When we first started, we had nothing. We all worked for the same thing. Now everybody has done so many other things. It's great fun and we all have a good chat, but it's just different, trying to put an album together.

In March 2002, Ozzy Osbourne's Emmy winning reality TV show "The Osbournes" debuted on MTV, and quickly became a worldwide hit. The show introduced Osbourne to a broader audience and to capitalise, the band's back catalogue label, Sanctuary Records released a double live album Past Lives, which featured concert material recorded in the '70s, including the previously unofficial Live at Last album. The band remained on hiatus until the summer of 2004 when they returned to headline Ozzfest 2004 and 2005. In November 2005, Black Sabbath were inducted into the UK Music Hall of Fame, and in March 2006, after eleven years of eligibility, the band were inducted into the US Rock and Roll Hall of Fame. At the awards ceremony Metallica played two Black Sabbath songs, "Hole in the Sky" and "Iron Man" in tribute to the band.

Cross Purposes and Forbidden (1993–1996)

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Cross Purposes and Forbidden (1993–1996)Drummer Vinny Appice left the band following the reunion show to join Ronnie James Dio's solo band, later appearing on Dio's Strange Highways and Angry Machines. Iommi and Butler enlisted former Rainbow drummer Bobby Rondinelli, and reinstated former vocalist Tony Martin. The band returned to the studio to work on new material, again not originally intended to be released under the Black Sabbath name. As Geezer Butler explains:
It wasn't even supposed to be a Sabbath album; I wouldn't have even done it under the pretence of Sabbath. That was the time when the original band were talking about getting back together for a reunion tour. Tony and myself just went in with a couple of people, did an album just to have, while the reunion tour was (supposedly) going on. It was like an Iommi/Butler project album.

Under pressure from their record label, the band released their seventeenth studio album, Cross Purposes, on 8 February 1994, under the Black Sabbath name. The album again received mixed reviews, with Blender giving the album two stars, calling Soundgarden's 1994 album Superunknown "a far better Sabbath album than this by-the-numbers potboiler". Allmusic's Bradley Torreano called Cross Purposes "the first album since Born Again that actually sounds like a real Sabbath record". The album just missed the Top 40 in the UK reaching number 41, and also reached 122 on the Billboard 200 in the US. Cross Purposes contained the song "Evil Eye", which was co-written by Van Halen guitarist Eddie Van Halen, although uncredited because of record label restrictions. Touring in support of Cross Purposes began in February with Morbid Angel and Motörhead in the US. The band filmed a live performance at the Hammersmith Apollo on 13 April 1994, which was released on VHS accompanied by a CD, entitled Cross Purposes Live. After the European tour with Cathedral and Godspeed in June 1994, drummer Bobby Rondinelli quit the band and was replaced by original Black Sabbath drummer Bill Ward for five shows in South America.

Following the touring cycle for Cross Purposes, bassist Geezer Butler again quit the band. "I finally got totally disillusioned with the last Sabbath album, and I much preferred the stuff I was writing to the stuff Sabbath were doing". Butler formed a solo project called GZR, and released Plastic Planet in 1995. The album contained the song "Giving Up the Ghost", which was critical of Tony Iommi for carrying on with the Black Sabbath name, with the lyrics: You plagiarized and parodied / the magic of our meaning / a legend in your own mind / left all your friends behind / you can't admit that you're wrong / the spirit is dead and gone.

Following Butler's departure, newly returned drummer Bill Ward once again left the band. Iommi reinstated former members Neil Murray on bass, and Cozy Powell on drums, effectively reuniting the Tyr lineup. The band enlisted Body Count guitarist Ernie C to produce the new album, which was recorded in London in the fall of 1994. The album featured a guest vocal on "Illusion of Power" by Body Count vocalist Ice T. The resulting Forbidden, was released on 8 June 1995, but failed to chart in the US or the UK. The album was widely panned by critics; Allmusic's Bradley Torreano said "with boring songs, awful production, and uninspired performances, this is easily avoidable for all but the most enthusiastic fan"; while Blender magazine called Forbidden "an embarrassment ... the band’s worst album".

Black Sabbath embarked on a world tour in July 1995 with openers Motörhead and Tiamat, but two months into the tour, drummer Cozy Powell left the band, citing health issues, and was replaced by former drummer Bobby Rondinelli. After completing Asian dates in December 1995, Tony Iommi put the band on hiatus, and began work on a solo album with former Black Sabbath vocalist Glenn Hughes, and former Judas Priest drummer Dave Holland. The album was not officially released following its completion, although a widely traded bootleg called Eighth Star surfaced soon after. The album was officially released in 2004 as The 1996 DEP Sessions, with Holland's drums re-recorded by session drummer Jimmy Copley.

In 1997, Tony Iommi disbanded the current lineup to officially reunite with Ozzy Osbourne and the original Black Sabbath lineup. Vocalist Tony Martin claimed that an original lineup reunion had been in the works since the band's brief reunion at Ozzy Osbourne's 1992 Costa Mesa show, and that the band released subsequent albums to fulfill their record contract with I.R.S. records. Martin later recalled Forbidden as a "filler album that got the band out of the label deal, rid of the singer, and into the reunion. However I wasn’t privy to that information at the time". I.R.S. Records released a compilation album in 1996 to fulfill the band's contract, entitled The Sabbath Stones, which featured songs from Born Again to Forbidden.

Dehumanizer (1990–1993)

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Dehumanizer  (1990–1993)













While on his own Lock Up The Wolves US tour in August 1990, former Black Sabbath vocalist Ronnie James Dio was joined on stage at the Minneapolis Forum by former Black Sabbath bassist Geezer Butler to perform "Neon Knights". Following the show, the two expressed interest in rejoining Black Sabbath. Butler convinced Iommi, who in turn broke up the current lineup, dismissing vocalist Tony Martin and bassist Neil Murray. "I do regret that in a lot of ways", Iommi said. "We were at a good point then. We decided to [reunite with Dio] and I don't even know why, really. There's the financial aspect, but that wasn't it. I seemed to think maybe we could recapture something we had". Ronnie James Dio and Geezer Butler joined Tony Iommi and Cozy Powell in the fall of 1990 to begin working on the next Black Sabbath release. While rehearsing in November, Powell suffered a broken hip when his horse died, falling on the drummer's legs. Unable to complete work on the album, Powell was replaced by former drummer Vinny Appice, reuniting the Mob Rules era lineup, and the band entered the studio with producer Reinhold Mack. The year-long recording process was plagued with problems, primarily stemming from writing tension between Iommi and Dio, and some songs were re-written multiple times. "Dehumanizer took a long time, it was just hard work", Iommi said. "We took too long on it, that album cost us a million dollars, which is bloody ridiculous". Dio later recalled the album as difficult, but worth the effort. "It was something we had to really wring out of ourselves, but I think that's why it works", he said. "Sometimes you need that kind of tension, or else you end up making the Christmas album".

The resulting album, Dehumanizer was released on 22 June 1992. In the US, the album was released on 30 June 1992 by Reprise Records, as Ronnie James Dio and his namesake band were still under contract with the label at the time. While the album received mixed reviews, it was the band's biggest commercial success in a decade.[24] Anchored by the top 40 rock radio single "TV Crimes", the album peaked at number 44 on the Billboard 200.[24] The album also featured the song "Time Machine", a version of which had been recorded for the 1992 film Wayne's World. Additionally, the perception by many fans of a return of some semblance of the "real" Black Sabbath provided the band with some much needed momentum.

Black Sabbath began touring in support of Dehumanizer in July 1992 with Testament, Danzig, Prong, and Exodus. While on tour, former vocalist Ozzy Osbourne announced his first retirement, and invited Black Sabbath to open for his solo band at the final two shows of his No More Tours tour in Costa Mesa, California. The band agreed, aside from vocalist Ronnie James Dio, who said: I was told in the middle of the tour that we would be opening for Ozzy in Los Angeles. And I said, "No. Sorry, I have more pride than that." A lot of bad things were being said from camp to camp, and it created this horrible schism. So by [the band] agreeing to play the shows in L.A. with Ozzy, that, to me, spelled out reunion. And that obviously meant the doom of that particular project.

Dio quit Black Sabbath following a show in Oakland, California on 13 November 1992, one night before the band were set to appear at Osbourne's retirement show. Judas Priest vocalist Rob Halford stepped in at the last minute, performing two nights with the band. Iommi and Butler also joined Osbourne and former drummer Bill Ward on stage for the first time since 1985's Live Aid concert, performing a brief set of Black Sabbath songs.

The Eternal Idol, Headless Cross, and Tyr (1986–1990)

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The Eternal Idol, Headless Cross, and Tyr (1986–1990)Black Sabbath began work on new material in October 1986 at Air Studios in Montserrat with producer Jeff Glixman. The recording was wrought with problems from the beginning, as Glixman left after the initial sessions, and was replaced by producer Vic Coppersmith-Heaven. Bassist Dave Spitz quit over "personal issues", and ex-Rainbow bassist Bob Daisley was brought in. Daisley re-recorded all of the bass tracks, and wrote the album's lyrics, but before the album was complete, he left to join Gary Moore's backing band, taking drummer Eric Singer with him.[24] After problems with second producer Coppersmith-Heaven, the band returned to Morgan Studios in England in January 1987 to work with new producer Chris Tsangarides. While working in the UK, new vocalist Ray Gillen abruptly left Black Sabbath to form Blue Murder with John Sykes. The band enlisted ex-Alliance vocalist Tony Martin to re-record Gillen's tracks, and former drummer Bev Bevan to complete a few percussion overdubs.[22] Before the release of the new album, Black Sabbath accepted an offer to play six shows at Sun City, South Africa during the apartheid era. The band drew criticism from activists and artists involved with Artists United Against Apartheid, who had been boycotting South Africa since 1985. Drummer Bev Bevan refused to play the shows, and was replaced by Terry Chimes, formerly of The Clash.

After nearly a year in production, The Eternal Idol was released on 8 December 1987 and ignored by contemporary reviewers. On-line internet era reviews were mixed. AllMusic said that "Martin's powerful voice added new fire" to the band, and the album contained "some of Iommi's heaviest riffs in years." Blender gave the album two stars, claiming the album was "Black Sabbath in name only". The album would stall at #66 in the UK, while peaking at 168 in the US. The band toured in support of Eternal Idol in Germany, Italy and for the first time, Greece. Unfortunately, in part because of a backlash from promoters over the South Africa incident, other European shows were cancelled. Bassist Dave Spitz left the band shortly before the tour, and was replaced by Jo Burt, formerly of Virginia Wolf.

Following the poor commercial performance of Eternal Idol, Black Sabbath were dropped by Vertigo Records and Warner Bros. Records, and signed with I.R.S. Records.[22] The band took time off in 1988, returning in August to begin work on their next album. As a result of the recording troubles with Eternal Idol, Tony Iommi opted to produce the band's next album himself. "It was a completely new start", Iommi said. "I had to rethink the whole thing, and decided that we needed to build up some credibility again". Iommi enlisted ex-Rainbow drummer Cozy Powell, long-time keyboardist Nicholls and session bassist Laurence Cottle, and rented a "very cheap studio in England".

Black Sabbath released Headless Cross in April 1989, and again ignored by contemporary reviewers. Eventually, AllMusic would give the album four stars, calling Headless Cross "the finest non-Ozzy or Dio Black Sabbath album". Anchored by the number 62 charting single "Headless Cross", the album reached number 31 on the UK charts, and number 115 in the US. Queen guitarist Brian May, a good friend of Iommi's, played a guest solo on the song "When Death Calls". Following the album's release, the band added touring bassist Neil Murray, formerly of Whitesnake and Gary Moore's backing band.

The ill-fated Headless Cross US tour began in May 1989 with openers Kingdom Come and Silent Rage, but because of poor ticket sales, the tour was cancelled after just eight shows. The European leg of the tour began in September, where the band were enjoying chart success. After a string of Japanese shows, the band embarked on a 23 date Russian tour with Girlschool. Black Sabbath was one of the first bands to tour Russia, after Mikhail Gorbachev opened the country to western acts for the first time in 1989.

The band returned to the studio in February 1990 to record Tyr, the follow-up to Headless Cross. While not technically a concept album, some of the album's lyrical themes are loosely based on Norse mythology. Tyr was released on 6 August 1990, and reached number 24 on the UK albums chart, but was the first Black Sabbath release not to break the Billboard 200 in the US. The album again would receive mixed internet-era reviews, with AllMusic noting that the band "mix myth with metal in a crushing display of musical synthesis," while Blender gave the album just one star, claiming that "Iommi continues to besmirch the Sabbath name with this unremarkable collection". The band toured in support of Tyr with Circus of Power in Europe, but the final seven UK dates were cancelled because of poor ticket sales. For the first time in their career, the band's touring cycle did not include US dates.

Hiatus and Seventh Star (1984–1986)

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Hiatus and Seventh Star (1984–1986)Following the completion of the Born Again tour in March 1984, vocalist Ian Gillan left Black Sabbath to re-join Deep Purple, which was reforming after a long hiatus. Bevan left at the same time, and Gillan remarked that he and Bevan were made to feel like "hired help" by Iommi. The band then recruited an unknown Los Angeles vocalist named David Donato. The new lineup wrote and rehearsed throughout 1984, and eventually recorded a demo with producer Bob Ezrin in October. Unhappy with the results, the band parted ways with Donato shortly after.[24] Disillusioned with the band's revolving lineup, bassist Geezer Butler quit Black Sabbath in November 1984 to form a solo band. "When Ian Gillan took over that was the end of it for me", Butler later said. "I thought it was just a joke and I just totally left. When we got together with Gillan it was not supposed to be a Black Sabbath album. After we had done the album we gave it to Warner Bros. and they said they were going to put it out as a Black Sabbath album and we didn’t have a leg to stand on. I got really disillusioned with it and Gillan was really pissed off about it. That lasted one album and one tour and then that was it."

Following Butler's exit, sole remaining original member Tony Iommi put Black Sabbath on hiatus, and began work on a solo album with keyboardist Geoff Nicholls. While working on new material, the original Black Sabbath lineup were offered a spot at Bob Geldof's Live Aid benefit concert; the band agreed, performing at the Philadelphia show, on 13 July 1985. The event marked the first time the original lineup appeared on stage since 1978, and also featured reunions of The Who and Led Zeppelin. Returning to his solo work, Iommi enlisted bassist Dave Spitz and drummer Eric Singer, and initially intended to use multiple singers, including Rob Halford of Judas Priest, ex-Deep Purple and Trapeze vocalist Glenn Hughes, and ex-Black Sabbath vocalist Ronnie James Dio. "We were going to use different vocalists on the album, guest vocalists, but it was so difficult getting it together and getting releases from their record companies. Glenn Hughes came along to sing on one track and we decided to use him on the whole album."

The band spent the remainder of the year in the studio, recording what would become Seventh Star. Warner Bros. refused to release the album as a Tony Iommi solo release, instead insisting on using the name Black Sabbath.[87] Pressured by the band's manager, Don Arden, the two compromised and released the album as "Black Sabbath featuring Tony Iommi" in January 1986. "It opened up a whole can of worms really," Iommi explained, "because I think if we could have done it as a solo album, it would have been accepted a lot more." Seventh Star, which sounded little like a Black Sabbath album, incorporated more hard rock elements popularised by the 1980s Sunset Strip hard rock scene, and was panned by the critics of the era, although later reviewers such as AllMusic gave the album favourable reviews, calling the album "often misunderstood and underrated".

The new lineup rehearsed for six weeks, preparing for a full world tour, although the band were again forced to use the Black Sabbath name. "I was into the 'Tony Iommi project', but I wasn't into the Black Sabbath moniker," Hughes said. "The idea of being in Black Sabbath didn't appeal to me whatsoever. Glenn Hughes singing in Black Sabbath is like James Brown singing in Metallica. It wasn't gonna work". Just four days before the start of the tour, vocalist Glenn Hughes got into a bar fight with the band's production manager John Downing which splintered the singer's orbital bone. The injury interfered with Hughes' ability to sing, and the band brought in vocalist Ray Gillen to continue the tour with W.A.S.P. and Anthrax, although nearly half of the US dates would eventually be cancelled because of poor ticket sales.

One vocalist whose status is disputed, both inside and outside Black Sabbath, is Christian evangelist Jeff Fenholt. He has insisted that he was a singer in Black Sabbath between January and May 1985. Tony Iommi has never confirmed this, as he was working on a solo release that was later named as a Sabbath album. Fenholt gives a detailed account of his time with Iommi and Sabbath in Garry Sharpe-Young's book Sabbath Bloody Sabbath: The Battle for Black Sabbath.

Born Again (1983–1984)

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Born Again (1983–1984)Left with just two original members, Tony Iommi and Geezer Butler began auditioning new singers for the band's next release. After failed attempts with the likes of Whitesnake's David Coverdale, Samson's Nicky Moore, and Lone Star's John Sloman, the band settled on former Deep Purple vocalist Ian Gillan to replace Ronnie James Dio in 1983.[24][81] While the project was not initially set to be called Black Sabbath, pressures from the record label forced the group to retain the name. The band entered The Manor Studios in Shipton-on-Cherwell, Oxfordshire, England, in June 1983 with a returned and newly sober Bill Ward on drums. Born Again was met with mixed reviews from fans and critics alike. The album reached number four on the UK charts, and number 39 in the US. However, even a decade after its release AllMusic's Eduardo Rivadavia called the album "dreadful", noting that "Gillan's bluesy style and humorous lyrics were completely incompatible with the lords of doom and gloom".

Although he performed on the album, drummer Bill Ward was unable to tour because of the pressures of the road, and quit the band in 1984. "I fell apart with the idea of touring," Ward later said. "I got so much fear behind touring, I didn’t talk about the fear, I drank behind the fear instead and that was a big mistake." Ward was replaced by former Electric Light Orchestra drummer Bev Bevan for the Born Again world tour, which began in Europe with Diamond Head, and later in the US with Quiet Riot and Night Ranger. The band headlined the 1983 Reading Festival, adding the Deep Purple song "Smoke on the Water" to their set list.

The tour in support of Born Again included a giant set of the Stonehenge monument. In a move that would be later parodied in the mockumentary This Is Spinal Tap, the band made a mistake in ordering the set piece. As Geezer Butler later explained: We had Sharon Osbourne's dad, Don Arden, managing us. He came up with the idea of having the stage set be Stonehenge. He wrote the dimensions down and gave it to our tour manager. He wrote it down in meters but he meant to write it down in feet. The people who made it saw fifteen meters instead of fifteen feet. It was 45 feet high and it wouldn't fit on any stage anywhere so we just had to leave it in the storage area. It cost a fortune to make but there was not a building on earth that you could fit it into.[84]